Editor Mike Northen asked great, difficult questions, including: how I see my role as an editor, what I look for when reading poems for District Lit, how literary magazines can be more accessible to all writers/readers, disability science poetry as a genre, and more.
I’m so excited to have two poems in Daughter’s inaugural issue. Daughter, a new literary magazine focusing on sharing the voices of women or female-identifying people, calls itself a lit mag for all women.
The poems included are “This isn’t a poem about motherhood” and “Recipe to reduce pain.”
“This isn’t a poem about motherhood” (pg. 22-23) is about pregnancy when you have chronic pain. “Recipe to reduce pain” (pg. 32-33) lists rituals of self-care, like taking a long, hot epsom salt bath.
I had a fantastic time bringing poetry to scientists and the public during today’s Science March in Washington, D.C.
Leading a poetry teach-in for those who write and those who never knew poetry could be science-themed was so fulfilling. And even though it was pouring rain, the weather brought more people into our tent, who ultimately took up a pen and paper to try erasure, writing about insects, or personifying nature, storms, or planets. I’d estimate about 200 people came through the Poets for Science tent during our poetry teach-ins.
I want to thank Jane Hirshfield for coming up with this incredible idea, Split This Rock and Sarah Browning for recommending me as one of the workshop leaders, the Wick Poetry Center for their great staff and banners, and all the local poets who led workshops and made this such an incredible event! This was a great space where we made connections between science and poetry — because, truly, the two go hand-in-hand. They are intertwined.
Science is full of images, minute details, precision. And so is poetry. They are both vivid, raw representations of our natural world.
On Saturday, I’m humbled to be a part of the March for Science in Washington, D.C. Most likely I won’t be marching, due to chronic pain, but I will be participating in another, meaningful way. Through serendipitous chance, I was invited to be a part of the poetry teach-ins that are happening during the day. The incredible poet Jane Hirshfield is the mastermind behind the idea — and I am so grateful to be able to work with her and bring her dream to life. Make sure to read Jane’s poem “On the Fifth Day,” which she will be reading at the rally during the March.
Several local poets and staff from Kent State University’s Wick Poetry Center will be leading poetry workshops focusing on insects, personifying storms, climate change, data, and more. The workshops will be from 9 a.m.-12 p.m. at the Mall in the Poets for Science tent. Learn more about the pop-up workshops.
My workshop is Writing the Storm. I’m bringing several poems exploring weather, planets, natural disasters, and how they affect our lives. We’ll use phrases from these poems and from Patricia Smith’s poetry personifying Hurricane Katrina as a jumping off point. All are welcome, including parents and children, and no experience is required.
This opportunity is so dear to my heart because most of my poetry, and some of my prose, focuses on science in some way. I’m obsessed with space. I write about my body and medical issues. I explore the potential future in science/speculative fiction. Science and creative writing go hand in hand. Writers draw from the natural world and the rich images in science.
Jane’s work in forming Poets for Science and our teach-ins were featured in an article on Poets&Writers. Read it to learn more about the seven-foot posters of poetry that will be present at the March, as well as how this came to be. The workshops and poems are also traveling the globe and may be translated and held in satellite marches throughout the world, including the March for Science in Marseilles, France!
Join the conversation throughout the day and share your science-related poems with the hashtag #poetsforscience! Excited to see you there!
District Lit is currently accepting poetry and creative nonfiction for our themed issue on Disability, Medicine, and Illness. We have Jen Stein Hauptmann, Assistant Editor at Rogue Agent, as a guest judge reading for this issue.
While District Lit is always open to work from writers with disabilities, this themed issue will highlight poetry and nonfiction about living with disability, illness, or medical treatments. We want writing and art about chronic illness, disability (visible and invisible), medical histories and procedures, recovery, and the body in all its forms. Send us your rawest poetry, powerful CNF, and embodied art.
I discussed poetry and diversity in literary magazines on panels at Split This Rock’s poetry festival and the Frostburg Indie Lit Fest.
My panel was accepted for AWP 2017. Excited to have conversations about building inclusive communities in publishing and literature.
I read poetry in NYC at Berl’s Poetry Shop for a Bottlecap Press featured reading. It’s great to meet poet friends in new places.
I got an LGBT short story published by Paper Darts. So happy it found a great home.
The first of my Forecast stories, detailing various eco-futures, was published by OMNI Reboot.
Moonsick Magazine published my short story on migrants, based on a heartbreaking episode of Story Corps.
In 2016, I got 13 poems and 5 stories published. I’m so grateful to each and every one of the online and print magazines that accepted my writing, and that rejected me. My writing has grown from each rejection — and I can’t wait to submit more, hopefully get more acceptances, and probably more rejections, along the way.
Here’s to 2017. To submitting more writing, supporting each other, and speaking up loudly! Happy New Year!
Noble/Gas Quarterly published three of my poems today in their 203.4 issue. I’m honored to be included with so many other great writers.
“Application to NASA” is a retelling of my previous poem “On that one-way trip to Mars.” It’s my way of calling NASA out for its height restrictions, of blaming my bone disorder from keeping me from the stars (even though I didn’t actually major in a STEM field or take any path to flight school). These poems are my version of reckoning with the limitations my body and imperfect bones place on me.
“I am rotting log of wood” uses natural imagery from forests and trees as another way to understand my body. Trees are often seen as strong, immovable — but cut inside and you’ll see rings with more information. Tree rings show times of drought, temperature, moisture in the atmosphere, and growth the tree endured. I’ve always felt a connection and respect for trees. So I used an extended metaphor of a rotting log of wood as my cartilage-deficient body in a forest full of able-bodies.
“Harriet Tubman was disabled” tries to do justice to the amazing Harriet Tubman. Not only did she lead over 300 slaves to freedom, but she did so with a traumatic head injury. This is something we don’t learn when reading history books about her story. I actively work to keep disabled/chronic/invisible illness voices from being erased. This poem is one of my attempts.